Re-add moc

1 files changed, 690 insertions, 0 deletions

diff --git a/.moc/config b/.moc/config
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index 0000000..57de734
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+++ b/.moc/config
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+# This is a configuration file for the MOC player.  It should be named
+# 'config' and placed in the ~/.moc directory.  As this file can specify
+# commands which invoke other applications, MOC will refuse to start if it
+# is not owned by either root or the current user, or if it is writable by
+# anyone other than its owner.  All options are given with their default
+# values, and therefore commented.
+
+# Comments begin with '#'.
+# You can use quotes and escape ('\') in parameters.
+#
+# You can have variable values substituted by enclosing the variable name
+# as "${...}".  (This only applies to the portion of the option following
+# the '='.)  Variables are substituted first from the environment then,
+# if not found, from the configuration options.  (Note that the value of
+# a configuration option substituted is that which it has at the time the
+# substitution variable is encountered.)  If there is a naming conflict
+# between an environment and configuration variable, you may be able to
+# resolve it by using lowercase as the environment variable matches are
+# case-sensitive whereas the configuration variables are not.
+#
+# You can also use the form "${...:-...}" where the value in the second
+# position will be substituted if the variable name given in the first
+# position is unset or null.
+#
+# So, for example:
+#
+#     MusicDir = /music/${USER:-public}
+#     Fastdir1 = ${MusicDir}/mp3/rock
+#     Fastdir2 = ${MusicDir}/mp3/electronic
+#     Fastdir3 = ${MusicDir}/mp3/rap
+#     Fastdir4 = ${MusicDir}/mp3/etc
+#
+# Variable names are limited to those accepted by the BASH shell; that
+# is, those comprising the upper- and lowercase ASCII characters, digits
+# and the underscore.
+#
+# If you need to use the "${" sequence for any other purpose, write "$${"
+# and it will be replaced by "${" and not treated as a substitution.
+#
+# Some options take lists of strings as their values.  The strings are
+# separated by colons.  Additional strings can be appended to the list
+# using "+=" in place of a plain "=" to assign the value.  For an example,
+# see the XTerms option.
+#
+# You can override any configuration option when you run MOC using the
+# '-O' command line option:
+#
+#     mocp -O AutoNext=no -O messagelingertime=1 -O XTerms+=xxt:xwt
+#
+# This command line option can be repeated as many times as needed and
+# the configuration option name is not case sensitive.  (Note that MOC
+# does not perform variable substitution on the value of such overridden
+# configuration options.)  Most option values are set before the
+# configuration file is processed (which allows the new values to be
+# picked up by substitutions), however list-valued options are overridden
+# afterwards (which gives the choice of whether the configured values are
+# replaced or added to).
+
+# Remember that the client and server are separate processes and the
+# server will retain the configuration values formed from the environment
+# within which it was originally started.
+
+# Show file titles (title, author, album) instead of file names?
+#ReadTags = yes
+
+# In which directory do you store your music files?  If you specify it
+# you will be able to jump straight to this directory with the '-m'
+# parameter or the 'm' command.  This can also point to a playlist.
+#
+# Example:    MusicDir = "/home/joe/music"
+#
+MusicDir = /home/apollo/Music
+
+# Start in the music directory by default?  If set to 'no', start
+# in the current directory by default.  A single directory on
+# the command line takes precedence.
+StartInMusicDir = no
+
+# How to sort?  FileName is the option's only value for now.
+Sort = FileName
+
+# Show errors in the streams (for example, broken frames in MP3 files)?
+ShowStreamErrors = no
+
+# Ignore CRC errors in MP3 files?  Most players do that, so the default
+# value is 'yes'.
+#MP3IgnoreCRCErrors = yes
+
+# Set playback toggles.
+#Repeat = no
+#Shuffle = no
+AutoNext = yes
+
+# Default FormatString:
+#
+#   %n - Track number
+#   %a - Artist
+#   %A - Album
+#   %t - Title
+#   %(X:TRUE:FALSE) - Ternary expression: if X exists, do TRUE,
+#                     otherwise FALSE.  The escape character must
+#                     be doubled (i.e., '\\').  (See zshmisc
+#                     documentation for more information.)
+#
+#FormatString = "%(n:%n :)%(a:%a - :)%(t:%t:)%(A: \(%A\):)"
+
+# Input and output buffer sizes (in kilobytes).
+#InputBuffer = 512                  # Minimum value is 32KB
+#OutputBuffer = 512                 # Minimum value is 128KB
+
+# How much to fill the input buffer before playing (in kilobytes)?
+# This can't be greater than the value of InputBuffer.  While this has
+# a positive effect for network streams, it also causes the broadcast
+# audio to be delayed.
+#Prebuffering = 64
+
+# Use this HTTP proxy server for internet streams.  If not set, the
+# environment variables http_proxy and ALL_PROXY will be used if present.
+#
+# Format: HTTPProxy = PROXY_NAME:PORT
+#
+#HTTPProxy =
+
+# Sound driver - OSS, ALSA, JACK, SNDIO (on OpenBSD) or null (only for
+# debugging).  You can enter more than one driver as a colon-separated
+# list.  The first working driver will be used.
+SoundDriver = PULSEAUDIO:JACK:ALSA:OSS
+
+# Jack output settings.
+# JackClientName = "moc"
+# JackStartServer = no
+# JackOutLeft = "system:playback_1"
+# JackOutRight = "system:playback_2"
+
+# OSS output settings.
+#OSSDevice = /dev/dsp
+#OSSMixerDevice = /dev/mixer
+#OSSMixerChannel1 = pcm             # 'pcm', 'master' or 'speaker'
+#OSSMixerChannel2 = master          # 'pcm', 'master' or 'speaker'
+
+# ALSA output settings.  If you need to dump the audio produced by MOC
+# to a file for diagnostic purposes, the following setting of 'ALSADevice'
+# should do that:
+#
+#ALSADevice=tee:hw,'/tmp/out.wav',wav
+#
+ALSADevice = default
+#ALSAMixer1 = PCM
+#ALSAMixer2 = Master
+
+# Under some circumstances on 32-bit systems, audio played continously
+# for long periods of time may begin to stutter.  Setting this option to
+# 'yes' will force MOC to avoid ALSA's dmix resampling and prevent this
+# stutter.  But it also has other implications:
+#
+# - You may experience unacceptably high CPU load.
+# - ALSA's resampler plug-ins will not be used.
+# - The resampling may be of lower quality than ALSA would provide.
+# - You may need to try different "ResampleMethod" option settings.
+# - The "ForceSampleRate" option may be ineffective.
+# - If libsamplerate is not configured, many audios may be unplayable.
+#
+#ALSAStutterDefeat = no
+
+# Save software mixer state?
+# If enabled, a file 'softmixer' will be created in '~/.moc/' storing the
+# mixersetting set when the server is shut down.
+# Note that there is a "hidden" 'Amplification' setting in that file.
+# Amplification (0-200) is used to scale the mixer setting (0-100).  This
+# results in a higher signal amplitude but may also produce clipping.
+#Softmixer_SaveState = yes
+
+# Save equalizer state?
+# If enabled, a file 'equalizer' will be created in '~/.moc/' storing the
+# equalizer settings when the server is shut down.
+# Note that there is a "hidden" 'Mixin' setting in that file.
+# Mixin (0.0-1.0) is used to determine how much of the original signal is
+# used after equalizing.  0 means to only use the equalized sound, while 1
+# effectively disabled the mixer.  The default is 0.25.
+#Equalizer_SaveState = yes
+
+# Show files with dot at the beginning?
+#ShowHiddenFiles = no
+
+# Hide file name extensions?
+#HideFileExtension = no
+
+# Show file format in menu?
+#ShowFormat = yes
+
+# Show file time in menu?  Possible values: 'yes', 'no' and 'IfAvailable'
+# (meaning show the time only when it is already known, which often works
+# faster).
+#ShowTime = IfAvailable
+
+# Show time played as a percentage in the time progress bar.
+#ShowTimePercent = no
+
+# Values of the TERM environment variable which are deemed to be managed by
+# screen(1).  If you are setting a specific terminal using screen(1)'s
+# '-T <term>' option, then you will need to add 'screen.<term>' to this list.
+# Note that this is only a partial test; the value of the WINDOW environment
+# variable must also be a number (which screen(1) sets).
+#ScreenTerms = screen:screen-w:vt100
+
+# Values of the TERM environment variable which are deemed to be xterms.  If
+# you are using MOC within screen(1) under an xterm, then add screen(1)'s
+# TERM setting here as well to cause MOC to update the xterm's title.
+#XTerms = xterm
+#XTerms += xterm-colour:xterm-color
+#XTerms += xterm-256colour:xterm-256color
+#XTerms += rxvt:rxvt-unicode
+#XTerms += rxvt-unicode-256colour:rxvt-unicode-256color
+#XTerms += eterm
+
+# Theme file to use.  This can be absolute path or relative to
+# /usr/share/moc/themes/ (depends on installation prefix) or
+# ~/.moc/themes/ .
+#
+# Example:    Theme = laras_theme
+#
+Theme = darkdot_theme
+
+# The theme used when running on an xterm.
+#
+# Example:    XTermTheme = transparent-background
+#
+#XTermTheme =
+
+# Should MOC try to autoload the default lyrics file for an audio?  (The
+# default lyrics file is a text file with the same file name as the audio
+# file name with any trailing "extension" removed.)
+#AutoLoadLyrics = yes
+
+# MOC directory (where pid file, socket and state files are stored).
+# You can use ~ at the beginning.
+#MOCDir = ~/.moc
+
+# Use mmap() to read files.  mmap() is much slower on NFS.
+#UseMMap = no
+
+# Use MIME to identify audio files.  This can make for slower loading
+# of playlists but is more accurate than using "extensions".
+#UseMimeMagic = no
+
+# Assume this encoding for ID3 version 1/1.1 tags (MP3 files).  Unlike
+# ID3v2, UTF-8 is not used here and MOC can't guess how tags are encoded.
+# Another solution is using librcc (see the next option).  This option is
+# ignored if UseRCC is set to 'yes'.
+#ID3v1TagsEncoding = WINDOWS-1250
+
+# Use librcc to fix ID3 version 1/1.1 tags encoding.
+#UseRCC = yes
+
+# Use librcc to filenames and directory names encoding.
+#UseRCCForFilesystem = yes
+
+# When this option is set the player assumes that if the encoding of
+# ID3v2 is set to ISO-8859-1 then the ID3v1TagsEncoding is actually
+# that and applies appropriate conversion.
+#EnforceTagsEncoding = no
+
+# Enable the conversion of filenames from the local encoding to UTF-8.
+#FileNamesIconv = no
+
+# Enable the conversion of the xterm title from UTF-8 to the local encoding.
+#NonUTFXterm = no
+
+# Should MOC precache files to assist gapless playback?
+#Precache = yes
+
+# Remember the playlist after exit?
+#SavePlaylist = yes
+
+# When using more than one client (interface) at a time, do they share
+# the playlist?
+#SyncPlaylist = yes
+
+# Choose a keymap file (relative to '~/.moc/' or using an absolute path).
+# An annotated example keymap file is included ('keymap.example').
+#
+# Example:    Keymap = my_keymap
+#
+Keymap = keymap
+
+# Use ASCII rather than graphic characters for drawing lines.  This
+# helps on some terminals.
+#ASCIILines = no
+
+# FastDirs, these allow you to jump directly to a directory, the key
+# bindings are in the keymap file.
+#
+# Examples:   Fastdir1 = /mp3/rock
+#             Fastdir2 = /mp3/electronic
+#             Fastdir3 = /mp3/rap
+#             Fastdir4 = /mp3/etc
+#
+#Fastdir1 =
+#Fastdir2 =
+#Fastdir3 =
+#Fastdir4 =
+#Fastdir5 =
+#Fastdir6 =
+#Fastdir7 =
+#Fastdir8 =
+#Fastdir9 =
+#Fastdir10 =
+
+# How fast to seek (in number of seconds per keystroke).  The first
+# option is for normal seek and the second for silent seek.
+#SeekTime = 1
+#SilentSeekTime = 5
+
+# PreferredDecoders allows you to specify which decoder should be used
+# for any given audio format.  It is a colon-separated list in which
+# each entry is of the general form 'code(decoders)', where 'code'
+# identifies the audio format and 'decoders' is a comma-separated list
+# of decoders in order of preference.
+#
+# The audio format identifier may be either a filename extension or a
+# MIME media type.  If the latter, the format is 'type/subtype' (e.g.,
+# 'audio/flac').  Because different systems may give different MIME
+# media types, any 'x-' prefix of the subtype is ignored both here and
+# in the actual file MIME type (so all combinations of 'audio/flac' and
+# 'audio/x-flac' match each other).
+#
+# For Internet streams the matching is done on MIME media type and on
+# actual content.  For files the matches are made on MIME media type
+# (if the 'UseMimeMagic' option is set) and on filename extension.  The
+# MIME media type of a file is not determined until the first entry for
+# MIME is encountered in the list.
+#
+# The matching is done in the order of appearance in the list with any
+# entries added from the command line being matched before those listed
+# here.  Therefore, if you place all filename extension entries before
+# all MIME entries you will speed up MOC's processing of directories
+# (which could be significant for remote file systems).
+#
+# The decoder list may be empty, in which case no decoders will be used
+# for files (and files with that audio format ignored) while Internet
+# streams will be assessed on the actual content.  Any decoder position
+# may contain an asterisk, in which case any decoder not otherwise listed
+# which can handle the audio format will be used.  It is not an error to
+# list the same decoder twice, but neither does it make sense to do so.
+#
+# If you have a mix of audio and non-audio files in your directories, you
+# may wish to include entries at top of the list which ignore non-audio
+# files by extension.
+#
+# In summary, the PreferredDecoders option provides fine control over the
+# type of matching which is performed (filename extension, MIME media
+# type and streamed media content) and which decoder(s) (if any) are used
+# based on the option's list entries and their ordering.
+#
+# Examples:   aac(aac,ffmpeg)             first try FAAD2 for AACs then FFmpeg
+#             mp3()                       ignore MP3 files
+#             wav(*,sndfile)              use sndfile for WAV as a last resort
+#             ogg(vorbis,*):flac(flac,*)  try Xiph decoders first
+#             ogg():audio/ogg()           ignore OGG files, and
+#                                         force Internet selection by content
+#             gz():html()                 ignore some non-audio files
+#
+# Any unspecified audio formats default to trying all decoders.
+# Any unknown (or misspelt) drivers are ignored.
+# All names are case insensitive.
+# The default setting reflects the historical situation modified by
+# the experience of users.
+#
+#PreferredDecoders  = aac(aac,ffmpeg):m4a(ffmpeg)
+#PreferredDecoders += mpc(musepack,*,ffmpeg):mpc8(musepack,*,ffmpeg)
+#PreferredDecoders += sid(sidplay2):mus(sidplay2)
+#PreferredDecoders += wav(sndfile,*,ffmpeg)
+#PreferredDecoders += wv(wavpack,*,ffmpeg)
+#PreferredDecoders += audio/aac(aac):audio/aacp(aac):audio/m4a(ffmpeg)
+#PreferredDecoders += audio/wav(sndfile,*)
+
+# The following PreferredDecoders attempt to handle the ambiguity surrounding
+# container types such as OGG for files.  The first two entries will force
+# a local file to the correct decoder (assuming the .ogg file contains Vorbis
+# audio), while the MIME media types will cause Internet audio streams to
+# be assessed on content (which may be either Vorbis or Speex).
+#
+#PreferredDecoders += ogg(vorbis,ffmpeg):oga(vorbis,ffmpeg):ogv(ffmpeg)
+#PreferredDecoders += opus(ffmpeg)
+#PreferredDecoders += spx(speex)
+#PreferredDecoders += application/ogg(vorbis):audio/ogg(vorbis)
+
+# Which resampling method to use.  There are a few methods of resampling
+# sound supported by libresamplerate.  The default is 'Linear') which is
+# also the fastest.  A better description can be found at:
+#
+#    http://www.mega-nerd.com/libsamplerate/api_misc.html#Converters
+#
+# but briefly, the following methods are based on bandlimited interpolation
+# and are higher quality, but also slower:
+#
+#    SincBestQuality   - really slow (I know you probably have an xx GHz
+#                        processor, but it's still not enough to not see
+#                        this in the top output :)  The worst case
+#                        Signal-to-Noise Ratio is 97dB.
+#    SincMediumQuality - much faster.
+#    SincFastest       - the fastest bandlimited interpolation.
+#
+# And these are lower quality, but much faster methods:
+#
+#    ZeroOrderHold - really poor quality, but it's really fast.
+#    Linear - a bit better and a bit slower.
+#
+#ResampleMethod = Linear
+
+# Always use this sample rate (in Hz) when opening the audio device (and
+# resample the sound if necessary).  When set to 0 the device is opened
+# with the file's rate.
+#ForceSampleRate = 0
+
+# By default, even if the sound card reports that it can output 24bit samples
+# MOC converts 24bit PCM to 16bit.  Setting this option to 'yes' allows MOC
+# to use 24bit output.  (The MP3 decoder, for example, uses this format.)
+# This is disabled by default because there were reports that it prevents
+# MP3 files from playing on some soundcards.
+#Allow24bitOutput = no
+
+# Use realtime priority for output buffer thread.  This will prevent gaps
+# while playing even with heavy load.  The user who runs MOC must have
+# permissions to set such a priority.  This could be dangerous, because it
+# is possible that a bug in MOC will freeze your computer.
+#UseRealtimePriority = no
+
+# The number of audio files for which MOC will cache tags.  When this limit
+# is reached, file tags are discarded on a least recently used basis (with
+# one second resolution).  You can disable the cache by giving it a size of
+# zero.  Note that if you decrease the cache size below the number of items
+# currently in the cache, the number will not decrease immediately (if at
+# all).
+#TagsCacheSize = 256
+
+# Number items in the playlist.
+#PlaylistNumbering = yes
+
+# Main window layouts can be configured.  You can change the position and
+# size of the menus (directory and playlist).  You have three layouts and
+# can switch between then using the 'l' key (standard mapping).  By default,
+# only two layouts are configured.
+#
+# The format is as follows:
+#
+#     - Each layout is described as a list of menu entries.
+#     - Each menu entry is of the form:
+#
+#           menu(position_x, position_y, width, height)
+#
+#       where 'menu' is either 'directory' or 'playlist'.
+#     - The parameters define position and size of the menu.  They can
+#       be absolute numbers (like 10) or a percentage of the screen size
+#       (like 45%).
+#     - 'width' and 'height' can have also value of 'FILL' which means
+#        fill the screen from the menu's position to the border.
+#     - Menus may overlap.
+#
+# You must describe at least one menu (default is to fill the whole window).
+# There must be at least one layout (Layout1) defined; others can be empty.
+#
+# Example:    Layout1 = playlist(50%,50%,50%,50%)
+#             Layout2 = ""
+#             Layout3 = ""
+#
+#             Just one layout, the directory will occupy the whole
+#             screen, the playlist will have 1/4 of the screen size
+#             and be positioned at lower right corner.  (Note that
+#             because the playlist will be hidden by the directory
+#             you will have to use the TAB key to make the playlist
+#             visible.)
+#
+# Example:    Layout1 = playlist(0,0,100%,10):directory(0,10,100%,FILL)
+#
+#             The screen is split into two parts: playlist at the top
+#             and the directory menu at the bottom.  Playlist will
+#             occupy 10 lines and the directory menu the rest.
+#
+#Layout1 = directory(0,0,50%,100%):playlist(50%,0,FILL,100%)
+#Layout2 = directory(0,0,100%,100%):playlist(0,0,100%,100%)
+#Layout3 = ""
+
+# When the song changes, should the menu be scrolled so that the currently
+# played file is visible?
+#FollowPlayedFile = yes
+
+# What to do if the interface was started and the server is already playing
+# something from the playlist?  If CanStartInPlaylist is set to 'yes', the
+# interface will switch to the playlist.  When set to 'no' it will start
+# from the last directory.
+#CanStartInPlaylist = yes
+
+# Executing external commands (1 - 10) invoked with key commands (F1 - F10
+# by default).
+#
+# Some arguments are substituted before executing:
+#
+#     %f - file path
+#     %i - title made from tags
+#     %S - start block mark (in seconds)
+#     %E - end block mark (in seconds)
+#
+# Data from tags can also be substituted:
+#
+#     %t - title
+#     %a - album
+#     %r - artist
+#     %n - track
+#     %m - time of the file (in seconds)
+#
+# The parameters above apply to the currently selected file.  If you change
+# them to capital letters, they are taken from the file currently playing.
+#
+# Programs are run using execv(), not a shell, so you can't do things like
+# redirecting the output to a file.  The command string is split using blank
+# characters as separators; the first element is the command to be executed
+# and the rest are its parameters, so if you use "echo Playing: %I" we run
+# program 'echo' (from $PATH) with 2 parameters: the string 'Playing:' and
+# the title of the file currently playing.  Even if the title contains
+# spaces, it's still one parameter and it's safe if it contains `rm -rf /`.
+#
+# Examples:   ExecCommand1 = "cp %f /mnt/usb_drive"
+#             ExecCommand2 = "/home/joe/now_playing %I"
+#
+#ExecCommand1 =
+#ExecCommand2 =
+#ExecCommand3 =
+#ExecCommand4 =
+#ExecCommand5 =
+#ExecCommand6 =
+#ExecCommand7 =
+#ExecCommand8 =
+#ExecCommand9 =
+#ExecCommand10 =
+
+# Display the cursor in the line with the selected file.  Some braille
+# readers (the Handy Tech modular series ZMU 737, for example) use the
+# cursor to focus and can make use of it to present the file line even
+# when other fields are changing.
+#UseCursorSelection = no
+
+# Set the terminal title when running under xterm.
+#SetXtermTitle = yes
+
+# Set the terminal title when running under screen(1).  If MOC can detect
+# that it is running under screen(1), then it will set an appropriate
+# title (see description of ScreenTerms above).  However, if multiple
+# levels of screen management are involved, detection might fail and this
+# could cause a screen upset.  In that situation you can use this option
+# to force screen titles off.
+#SetScreenTitle = yes
+
+# Display full paths instead of just file names in the playlist.
+#PlaylistFullPaths = yes
+
+# The following setting describes how block markers are displayed in
+# the play time progress bar.  Its value is a string of exactly three
+# characters.  The first character is displayed in a position which
+# corresponds to the time marked as the start of a block and the last
+# character to the time marked as the end of the block.  The middle
+# character is displayed instead if both the start and the end of the block
+# would fall in the same position (within the resolution of the interface).
+# You can turn off the displaying of these block marker positions by using
+# three space characters.
+#BlockDecorators = "`\"'"
+
+# How long (in seconds) to leave a message displayed on the screen.
+# Setting this to a high value allows you to scroll through the messages
+# using the 'hide_message' key.  Setting it to zero means you'll have to
+# be quick to see any message at all.  Any new messages will be queued up
+# and displayed after the current message's linger time expires.
+#MessageLingerTime = 3
+
+# Does MOC display a prefix on delayed messages indicating
+# the number of queued messages still to be displayed?
+#PrefixQueuedMessages = yes
+
+# String to append to the queued message count if any
+# error messages are still waiting to be displayed.
+#ErrorMessagesQueued = "!"
+
+# Self-describing ModPlug options (with 'yes' or 'no' values).
+#ModPlug_Oversampling = yes
+#ModPlug_NoiseReduction = yes
+#ModPlug_Reverb = no
+#ModPlug_MegaBass = no
+#ModPlug_Surround = no
+
+# ModPlug resampling mode.
+# Valid values are:
+#
+#     FIR -      8 tap fir filter (extremely high quality)
+#     SPLINE -   Cubic spline interpolation (high quality)
+#     LINEAR -   Linear interpolation (fast, good quality)
+#     NEAREST -  No interpolation (very fast, extremely bad sound quality)
+#
+#ModPlug_ResamplingMode = FIR
+
+# Other self-describing ModPlug audio characteristic options.
+# (Note that the 32 bit sample size seems to be buggy.)
+#ModPlug_Channels = 2               # 1 or 2 channels
+#ModPlug_Bits = 16                  # 8, 16 or 32 bits
+#ModPlug_Frequency = 44100          # 11025, 22050, 44100 or 48000 Hz
+#ModPlug_ReverbDepth = 0            # 0 (quiet) to 100 (loud)
+#ModPlug_ReverbDelay = 0            # Delay in ms (usually 40-200ms)
+#ModPlug_BassAmount = 0             # 0 (quiet) to 100 (loud).
+#ModPlug_BassRange = 10             # Cutoff in Hz (10-100).
+#ModPlug_SurroundDepth = 0          # Surround level 0(quiet)-100(heavy).
+#ModPlug_SurroundDelay = 0          # Surround delay in ms, usually 5-40ms.
+#ModPlug_LoopCount = 0              # 0 (never), n (times) or -1 (forever)
+
+# Self-describing TiMidity audio characteristic options.
+#TiMidity_Rate = 44100              # Between 8000 and 48000
+#TiMidity_Bits = 16                 # 8 or 16
+#TiMidity_Channels = 2              # 1 or 2
+#TiMidity_Volume = 100              # 0 to 800
+
+# You can setup a TiMidity-Config-File here.
+# Leave it unset to use library defaults (/etc/timidity.cfg mostly).
+# Setting it to 'yes' also uses the library defaults.
+# Set it to 'no' if you don't have any configuration file.
+# Otherwise set it to the name of a specific file.
+#TiMidity_Config =
+
+# Self-describing SidPlay2 audio characteristic options.
+#SidPlay2_DefaultSongLength = 180   # If not in database (in seconds)
+#SidPlay2_MinimumSongLength = 0     # Play at least n (in seconds)
+#SidPlay2_Frequency = 44100         # 4000 to 48000
+#SidPlay2_Bits = 16                 # 8 or 16
+#SidPlay2_Optimisation = 0          # 0 (worst quality) to 2 (best quality)
+
+# Set path to a HVSC-compatible database (if not set, database is disabled).
+#SidPlay2_Database =
+
+# SidPlay2 playback Mode:
+#
+#     "M": Mono (best for many SIDs)
+#     "S": Stereo
+#     "L"/"R": Left / Right
+#
+#SidPlay2_PlayMode = "M"
+
+# Use start-song information from SID ('yes') or start at first song
+# ('no').  Songs before the start-song won't be played.  (Note that this
+# option previously took the values 1 and 0; these are now deprecated
+# in favour of 'yes' and 'no'.)
+#SidPlay2_StartAtStart = yes
+
+# Play sub-tunes.  (Note that this option previously took the values 1
+# and 0; these are now deprecated in favour of 'yes' and 'no'.)
+#SidPlay2_PlaySubTunes = yes
+
+# Run the OnSongChange command when a new song starts playing.
+# Specify the full path (i.e. no leading '~') of an executable to run.
+# Arguments will be passed, and you can use the following escapes:
+#
+#     %a artist
+#     %r album
+#     %f filename
+#     %t title
+#     %n track
+#     %d file duration in XX:YY form
+#     %D file duration, number of seconds
+#
+# No pipes/redirects can be used directly, but writing a shell script
+# can do the job.
+#
+# Example:    OnSongChange = "/home/jack/.moc/myscript %a %r"
+#
+#OnSongChange =
+
+# If RepeatSongChange is 'yes' then MOC will execute the command every time
+# a song starts playing regardless of whether or not it is just repeating.
+# Otherwise the command will only be executed when a different song is
+# started.
+#RepeatSongChange = no
+
+# Run the OnStop command (full path, no arguments) when MOC changes state
+# to stopped (i.e., when user stopped playing or changes a song).
+#OnStop = "/home/jack/.moc/myscript_on_stop"
+
+# This option determines which song to play after finishing all the songs
+# in the queue.  Setting this to 'yes' causes MOC to play the song which
+# follows the song being played before queue playing started. If set to
+# 'no', MOC will play the song following the last song in the queue if it
+# is in the playlist.  The default is 'yes' because this is the way other
+# players usually behave.  (Note that this option previously took the
+# values 1 and 0; these are now deprecated in favour of 'yes' and 'no'.)
+#QueueNextSongReturn = yes